Gallery Collection
View our current collections of unique vessels, plates and glass panels. Earlier work can be found in our retrospective. For enquiries, or if you would like to discuss a commission, please contact us.
Glass Panels: Landscape & Reflections
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Glass Panels: Landscape & Reflections
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Glass panel ‘On the Horizon’ (2022)
Glass panel ‘Sea Change Day One’ (2022)
Glass panel ‘Sea Change Day Two’ (2022)
Glass panels ‘Sea Change Day Three’ and ‘Sea Change Day Four’ (2022)
Glass panel ‘Sea’ (2017) Private collection
Glass panel ‘Ebb & Flow’ (2017) Private collection
Glass panel ‘At the Foot of the Mountain’ (2018) Private collection
Glass panel ‘Northlands’ (2016) Private collection
Glass panel ‘New Light’ (2016)
Photo S.Tofts
Glass panel ‘Flow’ (2018) Private collection
Photo S.Tofts
Glass panel ‘Flux’ (2018)
Photo S.Tofts
Glass wall panel ‘Pool’ (2015) Private collection
Glass panel ‘Strata'(2018) Private collection
Glass panel ‘Still’ (2018) Private collection
Glass panel ‘Twilight’(2018) Private collection
Photo S.Tofts
Glass panel ‘Norrland’ (2016) Private collection
Walter Scott Prize for Historical Fiction
The Prize celebrates quality, and innovation of writing in the English language. The prize was founded in 2009 by the Duke and Duchess of Buccleuch and is awarded at the Borders Book Festival in Melrose, Scotland, in June every year.
In 2015 a new winner’s trophy was commissioned and a glass panel was designed and created, capturing the colours and shapes of the Scottish Borders. A new version of this trophy has been presented to winners in subsequent years.
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Walter Scott Prize for Historical Fiction
The Prize celebrates quality, and innovation of writing in the English language. The prize was founded in 2009 by the Duke and Duchess of Buccleuch and is awarded at the Borders Book Festival in Melrose, Scotland, in June every year.
In 2015 a new winner’s trophy was commissioned and a glass panel was designed and created, capturing the colours and shapes of the Scottish Borders. A new version of this trophy has been presented to winners in subsequent years.
2014 Glass plate ‘Pool’, Winner Robert Harris, ‘An Officer and a Spy’
2015 Glass panel ‘River’, winner John Spurling, ‘The Ten Thousand Things’
Photo K.Greenfield
2016 Glass panel ‘Borderland’, winner Simon Mawer, ‘Tightrope’
2017 Glass panel ‘Loch’, winner Sebastian Barry, ‘Days Without End’
2018 Glass panel ‘Borders’, winner Benjamin Myers, ‘The Gallows Pole’
2019 Glass panel ‘On A Clear Day’, winner Robin Robertson, ‘The Long
Take’
Commissions
Recent selected work from private and public commissions.
Glass panel ‘Viridian Landscape’ (2015) Private residency, France
Glass panel ‘White on White’ (2012) Margaret Kerr Unit, Borders General Hospital, Melrose
Glass panel ‘Reflected landscape 1’ (2010) Private residency, Scotland
Photo S.Tofts
Glass panel ‘Sea View’ (2012) Private residency, Scotland
Glass panel ‘Reflected landscape 2’ (2010) Private residency, Scotland
Glass wall panel ‘Monterey’ (2000) Private residency, Scotland
Bowls
Murrini is an intricate Italian glass decorating technique. Glass rods are pulled while hot and cut into slices when cold. These Murrini slices are reheated and used in different ways during the glassblowing process to create pattern and colour.
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Bowls
Murrini is an intricate Italian glass decorating technique. Glass rods are pulled while hot and cut into slices when cold. These Murrini slices are reheated and used in different ways during the glassblowing process to create pattern and colour.
Plates
Murrini is an intricate Italian glass decorating technique. Glass rods are pulled while hot and cut into slices when cold. These Murrini slices are reheated and used in different ways during the glassblowing process to create pattern and colour.
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Plates
Murrini is an intricate Italian glass decorating technique. Glass rods are pulled while hot and cut into slices when cold. These Murrini slices are reheated and used in different ways during the glassblowing process to create pattern and colour.
Glass Panels: Borderline Series
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Glass Panels: Borderline Series
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Glass panel ‘Borderline No1’ (2010)
Photo S.Tofts
Glass panel ‘Borderline No2’ (2010)
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Glass panel ‘Borderline No3’ (2010)
Photo S.Tofts
Glass panel ‘Borderline No4’ (2010)
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Glass panel ‘Borderline No5’ (2010) Private collection
Photo S.Tofts
Glass panel ‘Borderline Double Act – Ruby & Ink’ (2017)
Glass Panels: Memory Collection
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Glass Panels: Memory Collection
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Glass panel ‘White On White 1’ (2006) Artists collection
Glass panel ‘White On White 2’ (2006) Public collection
Photo S.Tofts
Glass panel ‘Spine’ (2006) Artists collection
Glass panel ‘Full Circle’ (2006)
Photo S.Tofts
Glass panel ‘Core’ (2006) Private collection
Glass panel ‘Enfold’ (2006) Private collection
Photo S.Tofts
Glass panel ‘Black & White’ (2006) Private collection
Glass panel ‘Between the Lines’ (2006) Private collection
Photo S.Tofts
Glass panel ‘Mindful’ (2004) Scottish National Museum Collection, Edinburgh
Glass panel ‘State of Mind’ (2004) Shipley Art Gallery Collection, Gateshead
Photo R.Beattie
Millennium Clock Tower
Commissioned by the National Museum of Scotland in 1999,the millennium clock tower echoes the form of a medieval cathedral, standing just over ten metres high. It marks the passing of time but is also a summary of the best and worst of the twentieth century. The intricately animated construction comprises four sections: The Crypt, The Nave, The Belfry and The Spire. Each has its own stories to tell and secrets to reveal. The glass panels were made from blown, cut and fused graal vessels.
A collaborative work by Annica Sandström & David Kaplan (clock face & glass panels), Eduard Besudsky (kinetic sculpture), Tatyana Jakovskaya (lighting & music), Tim Stead (wood constructions), Maggy Lenert (illustrations) & Jürgen Tübbecke (clock mechanisms).
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Millennium Clock Tower
Commissioned by the National Museum of Scotland in 1999,the millennium clock tower echoes the form of a medieval cathedral, standing just over ten metres high. It marks the passing of time but is also a summary of the best and worst of the twentieth century. The intricately animated construction comprises four sections: The Crypt, The Nave, The Belfry and The Spire. Each has its own stories to tell and secrets to reveal. The glass panels were made from blown, cut and fused graal vessels.
A collaborative work by Annica Sandström & David Kaplan (clock face & glass panels), Eduard Besudsky (kinetic sculpture), Tatyana Jakovskaya (lighting & music), Tim Stead (wood constructions), Maggy Lenert (illustrations) & Jürgen Tübbecke (clock mechanisms).
